Article by Revelator
After the narrative slack of Diamonds Are Forever, Fleming decided to better himself with From Russia with Love. Because its story was entirely structured around a deathtrap for one man, it was important for that man to be human enough to hold the audience’s empathy. This demanded a more rounded Bond, and Fleming was forced to further personalize his hero, giving an exact physical description of character and filling in his past history.
In Moonraker Fleming gave us details of Bond’s everyday life in London. Now we’re given a fuller portrait, and see Bond bored at work, reminiscing about the innocence of his teenage years in Kitzbühel, worrying that he’s “pimping for England” (and wondering if he’s capable of it), experiencing fear when his airplane’s caught in a storm, and so forth. This Bond even has an outright distaste for cold-blooded killing, in…
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